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Kyoto Japan



Seeing Kyoto

Seeing Kyoto
Seeing Kyoto captures all the elegance of Japan's most beloved city. Dozens of gorgeous photographs reveal Kyoto's charms: the centuriesold Gion quarters where geisha still ply their trade; the quiet dignity of cobblestone corridors lined with traditional wooden houses; sacred temple grounds; classic Japanese gardens; and old palaces once inhabited by aristocrats and samurai. With insightful text, long-time Japan resident Juliet Winters Carpenter delves into the cultural history of Kyoto and looks at how the rich traditions of yesterday are becoming the strengths of today. She then takes us on a delightful side-trip to neighboring Nara, often called "the little Kyoto.



Modern Masters of Kyoto: The Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection by Michiyo Morioka,
Modern Masters of Kyoto: The Transformation of Japanese Painting Traditions, Nihonga from the Griffith and Patricia Way Collection by Michiyo Morioka,
Modern Japanese painting executed in traditional media and formats, or nihonga, developed in the late nineteenth century as artists struggled to preserve cultural continuity in their art while searching for creative expressions to reflect Japan's new identity as a modern nation. In addition, the nihonga movement served to distinguish traditional art from Western-style oil painting. In the 1880s and following decades, as various national forums for competitive exhibition developed, Tokyo and Kyoto emerged as strong artistic centers, each characterized by its own distinct historical and cultural background. Modern Masters of Kyoto presents more than eighty examples of Kyoto nihonga -- hanging scrolls, screens, and an album -- dating from the 1860s to the 1940s. Featuring two exceptionally original artists, Tsuji Kako (1870-1931) and his pupil Tomita Keisen (1879-1936), the volume includes works by their predecessors, their contemporaries, and their successors. Collectively their works demonstrate the evolution of Kyoto nihonga in the late nineteenth and early twentieth centuries. The book introduces Western readers to a range of Kyoto artists from the most famous to the talented but relatively unknown. Their often visually stunning paintings provide a window from which to glimpse both the past and the modern in Japanese art. In the early development of nihonga, Kyoto artists incorporated some elements of Western art, but they were more anchored in tradition than artists in Tokyo. The Kyoto masters achieved true brilliance after the turn of the twentieth century. Inspired by the modern concept of individualism and influenced at times by knowledge of contemporary Western art, Kyotonihonga artists in the Taisho period (1912-26) created strikingly diverse and original expressions with fresh subjects, a daring use of color, and experimental compositions.



Kyoto Station - Kyoto Station (Japanese: 京都駅, -eki) is the most important transportation hub in Kyoto, Japan. It has Japan's second-largest train station building (after Nagoya Station) and is one of the country's largest buildings, incorporating a shopping mall, hotel, movie theater, Isetan department store, and several local government facilities under one fifteen-story roof.

Fukuchiyama, Kyoto - Fukuchiyama (福知山市; -shi) is a city located in northern Kyoto Prefecture, Japan, on the Yura River. It is about 25 km inland from the Sea of Japan at the southern end of the Fukuchiyama Valley, and is surrounded by mountains to the south, west, and east.

Maizuru, Kyoto - Maizuru (舞鶴市; Maizuru-shi) is a city located in Kyōto, Japan, on an inlet of the Sea of Japan.

Kamigyo-ku, Kyoto - Kamigyo (上京区, -ku) is one of the eleven wards in the city of Kyoto, in Kyoto Prefecture, Japan. Located in the center of the present-day city of Kyoto, it previously occupied the northern region of the ancient capital of Kyoto.



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